Posts Tagged ‘Chris Mate’

Cat no: Scythe 08
Release date:

MFT (D.A.V.E the Drummer remix) **
BPM: 142
There’s a reason this is on the A-side, and that’s because it’s a masterpiece: a flat-out, hands-down, solid-gold, woah-mama-I’m-home classic. People will be hearing this record and feeling like I felt when I first heard Unlucky Punk by Magnum Force, or when you first heard [insert the name of the acid techno record that nailed it all for you here]. I’m not sure it’s a game-changer as such, because I’m not sure it’s even possible to make a game-changing record now (and look forward to being proved wrong about that) but it is an almost perfect example of the artform, and it rocks. Credit goes to the original, of course; the nuts and bolts are already there, especially that amazing, deep, dystopian vocal, intoning, ‘this is fuckin’ techno, Melbourne fuckin’techno’. Otherwise the man born Henry Cullen takes every single element and beefs it up. The track leaps out of the blocks with a hard but undistorted kick, bouncy percussion and then straight into the vocal sample, that Henry’s beefed up, instinctively aware how bloody awesome it is. Now come layers of bassline, the 303 building, the kick getting harder, and each time you think it’s got as hard and as fast as it’s going to get, it goes up a notch. I remember hearing Vision Creation Newsun by The Boredoms for the first time and feeling the same way I feel when I listen to this record. That it’s not going to wimp out on me; that it has somehow intuited exactly what I want it to do and what I want it to do is go to the next level. If The Boredoms ever made an acid techno record, this is the record they’d make. At 5.10 there’s a break that lifts the top of your head off with whooshing DnB atmospherics and that awesome end-of-the-world voice, then back it comes, with a smooth, rushy finish and the acid taken to its absolute max. Perfect. The only problem with it, really, is how the hell do you follow it?

MFT (original mix)
On his Soundcloud page, Steve ‘Syndrome’ Clark says, ‘This track came about due to the frustration I was having with Melbourne events. People advertising events with the theme of hard techno and all you get is minimal. So I turned on my studio and put all that frustration onto my machines, voiced my opinion and MFT was the result.’ Just below that there is comment from D.A.V.E the Drummer: ‘Like it, mate, good work,’ and never was a truer word spoke. It’s a choppier, slightly less-sure-of-itself mix than either of the other two on the record, but it still rocks hard and listening to his Soundcloud offerings (check them out here) there are plenty more where that came from. Bring them on I say.

MFT (Chris Mate remix)
BPM: 142
As with all three mixes, the sample pulls into a new and and exciting dimension, and the 303 is gratifyingly hard, plus at about 5.00 there’s a build that starts off sounding like distorted strings and ends up like a dive-bomber, which is a fantastic moment, and has a welcome repeat later on. It’s brilliant. Any other time, it would saunter off with the honours held high, but that A-side is like the call of a Lily Cole-shaped Siren: sexy and deadly and not to be ignored. D.A.V.E the Drummer’s having a brilliant year. I read recently (On here, in fact) that he’s had three months off the grog. Maybe that’s the secret…