Posts Tagged ‘A.P & Josh Inc.’


A.P. is taking no prisoners on Distort the Dancefloor. This is a tune that reminds you this is the guy who brought you High in Chicago, Ride It and Off Ya Box and he’s continuing to innovate. No acid – this is a pure techno track from A.P. – but the sound is tough. It has a repeating metallic motif that floats in and out of the kick and, like Cuttin’ It, his collaboration with Josh Inc. to be found elsewhere on the EP, has a subversive, disruptive feel which gives it a unique and distinctive sound. It’s a fecking winnah.

Pump It Up, the other A.P. solo track, is a more funk-driven hip-hop influenced tune, like he had some ideas left over from his rework of Tassid’s Raw N Dirty . Meanwhile, the other EP highlight is Piston 69, by A.P. and Josh Inc. which again uses distortion to superb effect and has a tremendous, long break prior to a hurricane-like finale.

Get it from: 909

Conspiracy by AP & Josh Inc. kicks off the EP with two acid lines that tussle and scratch like fat lady wrestlers, before another one joins them and things get real messy. Meanwhile in the background a sampled John F Kennedy talks about being opposed to secrecy and secret societies. I used to love it when Acid Techno felt like a political force as well as a party on plastic, and this is a return to those happy, happy days, when hangovers only lasted till Wednesday.

What’s to love on No Idea by Bonz & Josh Inc.? Everything. The lowness, the fatness of the riff, not to mention some effects that remind me of playing GoldenEye on the N64. Along comes more acid, more fatness. It’s one of those tracks that if it was a dog would be a big rabid one. This, ladies and gentleman, is the sound in Cujo’s head when he’s lying in the yard waiting to maul Donna and Tad to death*. Oh and then, joy of joys, a classic Marky Mark moment from The Departed. My favourite of the EP.

Get Ready by Graham Acidic & OB1 shimmies into view and it’s time for your acid-line workout here. As ever where OB1’s involved, the 303 is tweaked and manipulated to perfection. It soars, it swirls, it fizzes like an over-carbonated bottle of Soda Stream ready to shower the kitchen in a sticky residue of something that’s supposed to taste like Coca Cola.

‘A revolution without dancing is a revolution not worth having’ begins Acid Revolution by MK303, as a sprightly kick lays foundation on which multiple, old skooly acid lines build and screech and bicker and whine. If I say this’ll put you in mind of The Rabbit’s Name Was then you’ll know we mean that as the highest praise it is possible to confer upon a tune. And that’s before a positively stunning breakdown and squirly climax.

*Interesting fact: Donny Pintauro, who played Tad in the film, now sells Tupperware.

Get it from: CDJ303

Cat no: Corrosive90902
Release date: 15/10/11
Get it from: 909 London

Let Me Know – A.P & Josh Inc.
The funk is well and truly brought here, thanks to a grimy rap and general sense of busy-ness that keeps things bouncing along – so much so that you barely even notice the lack of 303. Fans of the duo’s last release on Cluster should like this one.

Recharge Remix – Tassid
BPM: 150
Tassid gets his hands on Austin Corrisive’s Recharge and the result is a deep and dark techno workout. He’s taken out the acid patterns but retained the sinister, tribal beauty of the original as well as the chanting, which he ghosts in every now and then. Also new is a ‘recharge it’ vocal sample, but I’d be lying if I said I didn’t miss the 303.

Roll Em Phat – Mobile Dogwash
BPM: 146
Okay, so far this latest release from acid overlords Corrosive has been noticeably free of acid. A 303 free jamboree, you might say. But Mobile Dogwash put that right with a set of fat, filthy riffs that bark like angry guard dogs in the night. Powerful and dirty, filthy McNasty, it’s awesome stuff.

Raw ‘n’ Dirty – Tassid
BPM: 145
Tassid foregoes the acid for a techno sex workout. ‘Dirty!’ it goes, ‘Raw ‘n’ dirty, hot track!’ alongside a sleazy, hip-rolling kick that breaks down to the rap at 3.43 and resumes with even more power. Irresistibly funky.

Day Off – Zoid
BPM: 145
Itchy, bug-eyed acid flits in and out of paranoid percussion, then breaks down at around four minutes with samples of a news report (from what? I’d love to know) before firing back up into kaleidoscopic patterns. While the rest of the EP is pure head-nod, this one invites you to really listen, and you can tell Zoid’s stretching out here. In place of power is texture and the track has an urgent feel to it that extends beyond the demands of the dancefloor. We likey much.

Incidentally, Tassid, Zoid and Mobile Dogwash all feature in the Autumnal Acidity mix.